“We always have that task ahead of us for that reason, it’s really important for us as a studio to be as efficient as we can when we work and how we work.” Tight Timeline
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“The audiences are used to that quality and we can’t deliver less on TV just because we have less time and fewer resources to do it,” Lopez affirms. Even seasoned CG and visual effects (VFX) veterans find it difficult to determine what is prosthetic and what is digital-a serious accomplishment on screens big and small.Īchieving feature film-quality effects on a weekly television show is no mean feat, and that goal is top of mind for everyone at Stargate. The show’s premise, considered plausible by some and far-fetched by others, has mesmerized audiences, with help from the VFX craftsmanship of Stargate Studio artists.Īlthough the zombie apocalypse circumstance holds no basis in reality, as yet, the artists consistently deliver realistic, organic effects that keep viewers immersed in the story. Sweeping views of Hershel’s vast farm and the Georgian landscape are beautiful matte paintings inspired by a variety of different locales.
“We have built bidi (bi-directional) extensions, vision extensions, and multiple environments,” Lopez explains. Much of the show is shot on bluescreen, with artists crafting virtual sets, set extensions, and matte painting backgrounds. “We have even burnt zombies.”Ī little known fact, however, is that many of the show’s environments are actually the digital handiwork of Stargate Studios. “We also extend whatever the main characters are using to impale these zombies, such as an iron poker or a hoe,” Lopez adds. “They like to see a lot of heavy blood splattering in the shots, and that’s us adding that effect.” “Crowds of zombies, dead bodies, wounds, blood, entrails-all the extra gross stuff,” Lopez describes. Fixing and cleaning up shots, which isn’t very glamorous, are also part of the package,” admits Al Lopez, vice president of creative services at Stargate Studios in South Pasadena, California.ĭigital artists handle all the gore that one might expect to accompany an onslaught of the undead.
“The CG content varies from episode to episode, but always includes VFX shots where we’re adding virtual zombies, blood and bullet hits, wounds, and stuff like that. The show’s VFX and CG elements continue to grow in complexity and number from episode to episode, and from season to season. Stargate Studios has worked on The Walking Dead since the beginning, contributing eye-catching effects over all three seasons. The post-apocalyptic drama follows small-town Sheriff’s Deputy Rick Grimes (played by Andrew Lincoln) and a small group of survivors, including Rick’s wife Lori (Sarah Wayne Callies) and son Carl (Chandler Riggs), as they struggle to survive in the zombie-infested Georgia countryside.
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Artists at Stargate Studios, an international production services and postproduction company, merge that which is real and imagined, as well as dead and undead, into a convincing, cohesive whole on a weekly basis.īased on Robert Kirkman’s popular zombie apocalypse comic book series by the same name, The Walking Dead has captivated TV audiences for two seasons and is already whetting appetites for its highly anticipated third season, scheduled to begin airing in October. The creative concoction that is The Walking Dead blends real-world and computer-graphics (CG) elements, characters, and environments. AMC’s The Walking Dead has come closer than virtually all other series with its blend of compelling story, relatable characters, and seamless special effects. Audiences have, at the same time, been searching for a network program capable of consistently providing that perfect potion.
Television producers and network executives have, since the invention of the television, sought after a secret recipe, a combination of quality ingredients capable of delivering a blockbuster series.
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